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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。主角草壁樱对未来世界有影响(发明“恋童癖口服液”将未来全世界女生变为12岁外表)；所以，为了改变未来，迷糊的天使朵库萝从未来经抽屉跟主角相遇，但是一来就把可怜不知情的主角扑杀了。在谜之拟音「哔哔噜哔噜哔噜哔哔噜哔—♪」下，草壁从一坨准尸块又回复到原来的样子。从此，所谓的正常生活就跟草壁樱无缘了。。单身的包裹递送员朵拉在莱比锡的一幢高楼里过着有点隐居的生活，并以她干练的幽默感度过日常生活。但是，当她不得不隐藏她那神秘而迷人的波兰邻居乔拉时，她平静而有序的生活就失去了控制--乔拉相信自己意外地杀了人。朵拉起初对接纳她感到犹豫，但她似乎无法摆脱对乔拉的迷恋。多拉对这个直接、冲动的女人的信任与日俱增--乔拉似乎正是问了那些别人不敢问的问题。当朵拉发现对乔拉的指控被撤销时，她就警方的调查情况撒谎，以便将她的波兰邻居据为己有。。