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This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。任性的丈夫和叛逆的女儿让艾德莉安·威利斯的生活充满混乱。每天她都在与家人的吵闹和自己内心的孤独这样矛盾的心境下度过。压抑的生活让她喘不过气，想要将一切甩在脑后逃之夭夭。一个周末，朋友请她去帮忙照看一下一个位于加利福尼亚北部罗丹岛上的小客栈，艾德莉安·威利斯欣然的接受了，终于，她有了一个自己一个人轻松的机会。 　　一个人过得感觉真的不错，久违的单身生活让艾德莉安惬意不已，但是现实的无奈总是隐隐的在她心中纠结。不过一场突如其来的暴风雪将她所有的思绪打断，厚厚的白雪阻绝了她回家的路也彻底给她营造了一个与世隔绝的世外桃源。这时，客栈里住进了一个新来的旅客——保罗·弗兰德博士。他到这里来倒不是为了逃避什么，而是来探望自己疏远已久的儿子——当然，他自己也有本难念的经。事实上，这个时候保罗·弗兰德博士是这个小客栈唯一的客人。现在暴雪的阻隔下他只好每日呆在客栈里，与临时的女主人艾德莉安·威利斯中日为伴。两人在一起谈天说地，沉闷的时间倒也打发的轻松，而在不知不觉中两个人的心也早已经贴近在一起。于是，在这样一个神奇的周末之后，两个人的生活同时发生了改变……。